Congratulations, Beata Gubacsi, on winning the 2019-2021 Support a New Scholar Award (Track A)!
Beata Gubacsi is a PhD candidate at the University of Liverpool. Her research interests are genre, trauma, climate and animal studies, technology in medicine and health care with a focus on gaming and mental health. While working on her thesis, “Literature of Monstrosity: Posthumanism and the New Weird”, she has also been involved in Bluecoat Liverpool’s science fiction projects as part of her LiNK placement, and co-hosting and facilitating workshops at the Being Human Festival, Tate Exchange, and Nottingham New Art Exchange. She is author of the column, "Medical Humanities 2.0", for The Polyphony, the blog of the Institute for Medical Humanities at Durham University while also running the Current Research in Speculative Fiction Conference. Most recently, she has joined the team of the Fantastika Journal as assistant reviews editor.
Her research project, “Literature of Monstrosity: Posthumanism and the New Weird”, seeks to establish conceptual and aesthetic connections between Critical Posthumanism and the New Weird through their interactions with postmodernism. One of the most significant of these overlaps is the way both Critical Posthumanism and the New Weird responds to “global weirding”, the current ideological and environmental crisis, by redefining the notion of the Other via anti-humanist postmodernist criticism of normative ideologies. The thesis argues that said crisis is not only traumatic in itself but also a return of a previous primordial trauma, the abjection of the ultimate Other, the animal. Regarding both Critical Posthumanism and the New Weird as trauma narrative, embodied in the figure of the posthuman/monster, yields the question whether New Weird can be understood as posthumanist literature?
The SFRA is delighted to announce that Dr. Emily Cox is the winner of the 2018-19 (Track B) Support a New Scholar Award.
Congratulations, Dr. Cox!
Having completed her doctorate at Brunel University in science fiction literature and continental philosophy, Dr Emily Cox researches sf, gender theory and the work of Giorgio Agamben and Gilles Deleuze. She is particularly interested in applying Agamben’s concepts of inoperativity and bare life to gender theory in sf media and popular culture. Dr Cox also works as Public Relations editor for the journal Femspec, and her article ‘Denuding the Gynoid: The Woman Machine as Bare Life in Alex Garland’s Ex Machina’ is soon to be published in the journal Foundation.